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  1. Dil Dhoondta Hai

A medical student, Amarnath meets and falls in love with the daughter of a herbal medicine healer, Chanda while preparing for his exams in Darjeeling. He returns to Calcutta to sit his exams. Fast forward two decades Amarnath sets out to search Chanda. His encounter and involvement with a prostitute, Kajli has far reaching implications for both of them. How did Kajli, whose mother wanted her to become a doctor end up in a whorehouse. The three way relationship between the madam of the whorehouse, Kajli and Amarnath comes to a head when in a humane moment the madam gives away a fortune.

What does Kajli have to do to restore her relationship with Amarnath? I managed to catch two gems recently. The first one was over 3 days while I worked out. Maybe the installment approach allowed me to ponder on this film and love it all over again. In Mausam, Sanjeev Kumar rocked as the young doctor-in-training, and then as the older man who comes back to Darjeeling to relive his memories.

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Gulzar kept many things shrouded in mystery and so many things completely understated - I was so glad he chose to not insult the viewers' intelligence with needless explanations along the way. We never found out if Sanjeev came back to Darjeeling for any other motive than R and R. We were never told if the young Sharmila actually 'fell' for this older man or it was pure gratitude, since she knew who he was all along! The flashbacks were kept to a minimum and even the minor characters like Om Shivpuri, Dina Pathak and Agha were so perfect in their roles. Sanjeev was pitch perfect, playing men that were 20 years apart in age, just by subtle changes in body language and some gray hair!

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Dil Dhoondta Hai

And in a surprising twist all the intensity, regrets and anger were portrayed by the older man. Sharmila was excellent in the mother daughter roles, although clearly outclassed by Sanjeev. And the divine music - Dil Dhoondhta Hai Phir Wohi Fursat Ke Raat Din. A perfect 10 from me for this perfect film.